From script.
To final frame.
Every week.
Most marketing teams ship 2-3 videos a quarter, when the editor isn't booked, when the freelancer hasn't ghosted, when the brief survives. We run a dedicated four-person crew per partner that ships 4-8 finished videos every month, multi-format, color-graded, never late.
Most teams treat video as a project. We treat it as a pipeline. The pipeline is the moat, once it runs, you ship more in a month than your competitors do in a quarter.
A video without a pipeline is a one-shot expense.
A pipeline is a compound asset.
Build it once. Ship from it forever.
Films that ship.
A cinema body, a monitor wall, three native cuts running at once. The pipeline as a single moving frame.
Four stations. One pipeline.
The same four stations run for every partner, every week. Same hands at the desk. Same standards on the slate. Predictability is the feature; cinematic output is the proof.
pipeline.console- Station 01
Script room
Every video starts as an argument. We open with a one-page brief, the buyer hypothesis, and three references. Outline locked Monday. First draft Tuesday. Final script in your inbox by Wednesday, no 'creative review' cycles where the brief drifts.
- Station 02
Shoot floor
Dedicated four-person crew per partner: director, DP, editor, motion designer. The same hands every shoot. By month two they know your product better than your last hire. ARRI / RED bodies, fast lenses, full audio kit, lit for cinema, not for 'content.'
- Station 03
Edit suite
Rough cut Thursday morning on Frame.io with timecoded comments. Two rounds of revisions baked in, more if the cut earns it. Sound design, not just music. Captions burnt in, color matched, deliverables versioned per platform.
- Station 04
Post + color
Color graded in DaVinci Resolve to your brand palette, locked. Motion built in After Effects from a reusable kit, not one-off MOGRTs. Sound finished in Pro Tools. Every frame is exam-ready before it ships.
Every shoot multiplies.
B-roll captured for one video becomes the spine of three more. By month three we shoot half as much and ship twice as much. Every clip lands in a tagged library on your side, yours to keep, forever.
library.live · 218 clipsShoot once, cut six times
Each session captures 4× the b-roll we need for the headline cut. That overage feeds the next six weeks of cutdowns, shorts, reels, and ad hooks.
A tagged library, not a hard drive
Every clip lands in your Frame.io with shot metadata, lighting setup, and brand-approval status. Searchable by anyone on your team, without a Slack thread.
Reusable motion kit
Lower-thirds, end frames, transitions, supers, built once, themed to your brand, used across every video. New cuts compose from the kit; nobody rebuilds from scratch.
Compound, not consume
By month three we shoot half as much because the library carries the weight. Output goes up. Cost per shipped video goes down. The pipeline is the moat.
One shoot. Five platforms.
Native everywhere.
We don’t crop landscape and call it “platform-native.” Every cut is composed, framed, and titled per format from the original timeline, so a vertical reel reads like a vertical reel, not a squashed banner.
- /01
16:9 widescreen
Hero spot · YouTube long-form · landing pages
- /02
9:16 vertical
Reels · Shorts · TikTok · Stories
- /03
1:1 square
Feed posts · LinkedIn carousel openers
- /04
4:5 portrait
Native feed · IG / FB primary
- /05
Bumper :06
Pre-roll · YouTube CTV · TrueView for reach
Five days. One ship. Every week.
- MON
Script lock
Script + storyboard + shot list final. Director's brief signed off.
- TUE
Shoot
Studio or on-site. 8-10 hour day. All deliverables captured in one go.
- WED
Rough cut
First pass on Frame.io with timecoded comments by 18:00.
- THU
Final cut
Color, motion, sound finished. Final-final on Frame.io by 18:00.
- FRI
Ship + library
Multi-format export. Distribution queued. Library tagged + uploaded.
Color is the difference between “pretty good” and studio-grade. Sound is the difference between studio-grade and inevitable.
Most marketing video looks like marketing video. Ours doesn’t, because we color-grade to your brand palette in DaVinci Resolve and treat sound design like a feature director was watching. The result is video that reads as editorial, not promo.
What the engine actually returns.
- /014-8videos shipped per month, every month, no missed Fridays
- /025platform-native cuts shipped with every video
- /032.1×median watch-through lift on demos vs. incumbent edit
- /044dedicated crew (director, DP, editor, motion) per partner
- /0548hrough-cut turnaround from shoot wrap
- /066×library multiplier, clips reused vs. one-off shoots
Every month, scoped & shipped.
Fixed monthly cadence. Everything below, every month, multi-format, never late. No change orders, no surprise invoices.
- 01
Quarterly content architecture
Topic clusters, formats, and channel mapping locked once per quarter.
- 02
Script + storyboard + shot list
Per-video brief: argument, hook, beats, frames, locations, lighting setups.
- 03
In-house production crew
Four-person crew dedicated to you: director, DP, editor, motion designer.
- 04
Studio shoot or on-site capture
Cinema-grade bodies (ARRI / RED), fast lenses, full audio kit, lit for film.
- 05
Post: color, motion, sound, VFX
DaVinci Resolve grade. After Effects motion. Pro Tools sound design + mix.
- 06
Multi-format export
16:9, 9:16, 1:1, 4:5, bumpers, cutdowns, sales loops, GIFs, native per platform.
- 07
Tagged library on your side
Every clip in your Frame.io with metadata, lighting, brand-approval status.
Boring tools. Sharp output.
Velocity is in the process, not the gear. We pick well-understood tools that don’t fight us, and never the marketing-tech flavour of the month.
- Frame.ioReview + comment + approval
- DaVinci ResolveColor grade · scopes · LUTs
- After EffectsMotion · supers · end frames
- Pro ToolsSound design + final mix
- ARRI / REDCinema-grade body of choice
- Cinema 4DAnimation / explainer
What buyers ask on the second call.
- 01
Who actually runs the camera?
- Senior DPs with editorial / commercial backgrounds. We don't ship 'content creators' to your shoot. Same crew every time, so by month two they know your product better than your last hire and shoot day no longer needs onboarding.
- 02
What if I don't have an internal videographer to brief?
- You don't need one. We run the brief, the storyboard, and the shot list end-to-end. Your job is to approve the script and show up to the shoot if you're on camera. We handle every other piece, pre-production, shoot day, post, distribution.
- 03
Can you film at our office, or do we have to come to a studio?
- Either. Or on location. We carry a full mobile kit, lights, mics, monitors, lenses, lift gear. Setup is 90 minutes; strike is 45. The shoot floor comes to you, or you come to ours, or we go where the story actually lives.
- 04
What about animation or motion-only videos?
- Same pipeline, no shoot day. After Effects + Cinema 4D for explainers, with the same reusable motion kit so your stack of explainers feels like one product, not ten freelancers.
- 05
Do we own the raw footage?
- Always. Every shoot's RAW + audio drops into your cloud bucket within 48 hours of wrap. The library is yours forever, even if you stop the engine, you keep every frame.
Press record.
Ship weekly.
Compound forever.
Week 1: brief. Week 2: shoot 1 captured. Week 3: shoot 1 ships, shoot 2 captured. Every Friday after that, for as long as you want the engine running.
Pairs well with.
We’re direct about how we work.
Still something missing? Email hello@markingo.io. You’ll hear back within a business day.
Somewhere sharper. Think of us as your embedded growth team. You get the senior velocity of a well-run in-house function, without having to hire 9 specialists. We live in your Slack, your Linear, your calendar.
Need a 60-second SaaS demo without the studio markup?
Send your script, your URL, or just the metric you want to move. Treatment plus a fixed budget back inside 72 hours.
Ready to compound?
A 30-minute intro. No deck. We’ll ask three questions, diagnose the biggest growth lever on your desk, and tell you if we’re the right people to run it.